SHOTS OF AWE : CINEMA PAINTING IN TIME
https://www.youtube.com/watch?v=gcSfm5RL-24&t=1s
Photography can be considered to be 'PAINTING WITH LIGHT' cinematography is painting with moving light -
Some of the best cinematic compostions are made in movies by studying paintings
What the 2 mediums have in common is the 2 dimensional frame
THE DRAFTSMAN'S CONTRACT
DIRECTOR : PETER GREENAWAY
CINEMATOGRAPHY : CURTIS CLARK
AUGUSTE RENOIR 1841 - 1919 FRENCH PAINTER
HIS SON
JEAN RENOIR 1894 - 1979 FILM DIRECTOR
DIRECTOR: JULIAN SCHNABEL ALSO A PAINTER
CINEMATOGRAPHY : BENOIT DELHOMME ALSO A PAINTER
PAINTERS USE COLOUR AND SO DO CINEMATOGRAPHERS
TO BE A GOOD CINEMATOGRAPHER YOU MUST STUDY PHOTOGRPAHY
TO A BE A GOOD PHOTOGRAPHER STUDY PAINTING
FILM NOIR
LIGHTING TECHNIQUES FROM THE ITALIAN PAINTER
CARAVAGGIO 1571 - 161O
CARAVAGGIO APPEARING IN HIS OWN PAINTINGS
Chiaroscuro (English: /kiˌɑːrəˈskjʊəroʊ/; Italian: [ˌkjaroˈskuːro]; Italian for light-dark), in art, is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures.[1] Similar effects in cinema and photography also are called chiaroscuro.
CARAVAGGIO'S
INTENSELY DRAMATIC CHIAROSCURO LIGHTING TECHNIQUE
JUDITH AND HOLOFERNES 1598
THIS DRAMATIC CHIAROSCURO LIGHTING INFLUENCED THE FILM NOIR DETECTIVE STORY DIRECTORS OF THE 194O 'S AND 195O'S IN HOLLYWOOD
MORE RECENTLY
FROM DAVID FINCHER'S FIGHT CLUB
ZAC SNYDER THE 3OO
FRANK MILLER'S SIN CITY
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