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 novelist - script writer - director

Alex Garland

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 From Script to Screen :

THE WATER FALL SCENE 

THE BEACH   

movie released 2OOO

directed by Danny Boyle

adapted from a novel by 

Alex Garland

screenplay Alex Garland & John Hodge

   

characters / plot 

Richard a young American Traveller  has been given a map to a secret beach -

he is joined by  Françoise & Étienne a young French  tourist couple who join him on  the quest …

genre adventure / travel / drama / romance 

location Thailand / modern times

This piece of drama is a classic SET UP - CONFLICT - RESOLUTION scene

 

 

 THE WATER FALL SCENES

 

THE PREVIOUS SCENE

EXT. FOREST. DAY

 They are travelling downhill by a stream, they stop to drink from it.

 ETIENNE

 If we follow it down it should lead all the way to the lagoon 

RICHARD

 That's right all the way down 

RICHARD (VO)

He was right. All we had to do was follow the water and we'd be in paradise.

Only it wasn't going to be that easy.

 

   SCENE  ONE

EXT. WATERFALL. DAY

(HIGH ANGLE ARIAL CAMERA SHOT TO REVEAL)    

They move to the cliff edge and lay on their stomachs peering over the edge in disbelief .Water thunders from the clifftop to a pool below.

On either side of the waterfall, cliffs curve away to form a massive circle enclosing a lagoon and an area of land covered in 

forest. Francoise stands up the boys continue to lay down and discuss the dire situation they now find themselves in.

RICHARD

Oh God !!!

ETIENNE

Merde !!!

 They study the situation

ETIENNE

Well ?

RICHARD

 Well what ?

 

 ETIENNE

Well, Richard, how are we going to get down?

RICHARD

How do we get down ... How am supposed to know ?

ETIENNE 

You wanted to be in command Richard

FRANCOISE

We can jump ...

RICHARD

 I only took command because you lost your nerve FRENCH BOY !

ETIENNE

 Yeh and look where you've taken us ....

FRANCOISE

 We will jump

Francoise leaves the edge of the cliff

Richard & Etienne pay no attention to her  

ETIENNE

 Alright I will - lets climb down over there  

 

FRANCOISE 

We can jump

RICHARD

 Francois look ... we are not going to jump ...so just can it !!! 

and as for climbing down over there that is just an AH suggestion !!!  

  

ETIENNE

 Calling me an AH  ?

RICHARD

 Yeh and that's just the start of it 

 Richard and Etienne begin to fight

 Francois runs between them and jumps off the cliff 

 ETIENNE 

Francois !!!!!

 

  They watch in disbelief and wait until she surfaces 

 FRANCOISE

Come on down it's ok ... its not dangerous ... come on    

     

RICHARD

 Alright so we' ll jump

 

 Both Richard & Etienne get up the nerve and then jump 

 

  

 

 

 SCENE  TWO

 EXT. WATERFALL. DAY.

 

 Richard and Etienne jump.  

 They sink and then surface.

 

All three are ecstatic and elated, charged with the excitement of the fall and the joy of a journey's end. They exchange hugs and kisses. They become aware of a single person clapping slowly. They turn to see Keaty, a young Afro-Caribbean Londoner, standing a few paces away. 

 

A man is clapping from the side of the  lagoon 

 KEATY

Congratulation. It took me the best part of an hour to work up the courage to do that. Mind you, I was alone, so you have to make allowances.

  

They all look surprised to see him, they say nothing.

 

 

THE NEXT PART OF THE JOURNEY CAN NOW BEGIN ONWARDS WITH  KEATY WHO KNOWS HOW TO FIND THE 

‘THE BEACH’

 

   

NOTES :

 

This scene is a classic example of a 3 act dramatic structure 

 

SET UP - CONFLICT - RESOLUTION

 

1. In the set up we lead the characters into a situation that is necessary to overcome or to be solved  

 

2. In the conflict we put the protagonist against the antagonist person or force to solve the situation

 

3. In the resolution either the protagonist is victorious or is defeated, but the conflict ‘action’ drives the narrative on 

 

4. In this scene all 3 characters are part of the set up, we have the conflict between Richard & Etienne but an interesting ‘water fall antagonist force’ resolution by Francois 

 

5. The role of the director is to bring this drama to life visually

 

6. The role of the actors is to bring to life their characters with believable authenticity and conviction           

 The earliest text we have on drama is Aristotle's POETICS 335BC

some info on Greek Theatre

 The major Greek Playwrights are Sophocles, Aeschylus, and Euripides.

from their surviving texts evolved modern dramatic plays and screen writing for cinema.

 

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 ARISTOTLE'S POETICS - KEY POINTS ON DRAMATIC TRAGEDY PLAYWRITING

 1. THE PLOT SHOULD CONTAIN SUPRISES  FOR THE HERO

2. THE BEST SUPRISES ARE A 'PERIPETEIA' A REVERSAL OF FORTUNE OR AN 'ANAGNORISIS' A DISCOVERY

2. THE DRAMA SHOULD AROUSE PITY & FEAR IN THE AUDIENCE FOR THE 'PROTAGONIST'

3. THIS PROVIDES THE AUDIENCE WITH A 'CATHARSIS' OF THESE EMOTIONS 

4. DRAMA IS 'MEMETIC' IN THAT IT CREATES A REPRESENTATION OF REAL EVENTS ON AN IMAGINARY STAGE

5. FROM THIS WE HAVE A 'SUSPENSION OF DISBELIEF' OF THE IMITATION OF ACTORS

6. A DRAMA HAS A 3 ACT STRUCTURE - A BEGINNING A  MIDDLE AND AN END  - SET UP / CONFLICT / RESOLUTION      

 SCENE FROM THE GLADIATOR 

'THE REVEAL'

 1. Maximus has just fought in the Colisseum as an anonymous slave/gladiator.

2. The Emperor Commodus wishes to know who he is.

3. Maximus turns his back on the Emperor.

4. Commodus demands his identity.

5. Maximus reveals his  name and threatens Commodus.

6.  Commodus lets Maximus live.

7. We now have new antagonism between Commodus and Maximus that drives the drama forward.  

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 GLADIATOR released 2OOO

director Ridley Scott original screen play David Frazoni

 Identify the 3 act structure of this scene

Who are the Protogonist & Antagonist?

What part does the crowd play?

[On the arena floor, Praetorian enter and the gladiators stand ready to defend themselves.]

PRAETORIAN:

Drop your weapons.

[Maximus nods to the gladiators and they drop their weapons.]

PRAETORIAN:

Gladiator, the Emperor has asked for you.

 
MAXIMUS:

I'm at the Emperor's service.

[Commodus enters the arena. Maximus eyes an arrow in the dirt amongst the bloodied debris, kneels to pick it up. The gladiators follow Maximus' action and also kneel.] COMMODUS: Rise, rise.


[Lucius enters behind Commodus and Maximus looks disappointed. He does not want to attempt an attack on Commodus with the boy so close.]

 

COMMODUS:

Your fame is well deserved, Spaniard. I don't think there has been a gladiator to match you, as for this young man [Commodus holding Lucius in front him], he insists you are Hector reborn, or was it Hercules. Why doesn't the hero reveal himself and tell us all your real name. You do have a name...? 

MAXIMUS:

My name is gladiator. 

[Maximus slowly turns around and begins to walk back to the other gladiators.]

 

COMMODUS:

How dare you show your back to me, SLAVE. You will remove your helmet and tell me your name... 

 

 

[The Praetorian take a ready-stand, and the gladiators, without weapons, move forward ready to fight with Maximus. Maximus stops, takes a deep breath, removes his helmet, and turns to face Commodus.] 

 

 

MAXIMUS:

My name is Maximus Decimus Meridius. Commander of the armies of the North, general of the Felix Legions, loyal servant to the true emperor Marcus Aurelius. Father to a murdered son, husband to a murdered wife, and I will have my vengeance in this life or the next.

 

 

Commodus is clearly in shock and without words. Quintus stands ready. Commodus stumbles in his actions, slightly turning to Quintus as though seeking help. Quintus orders "Arms" and the Praetorian pull their swords. Meanwhile, at Caesar's box, Lucilla has jumped to her feet in shock and relief to see that Maximus is still alive.]

CROWD:

Live, Live, Live, Live...! 

 

COMMODUS:

Shhh! [in an effort to calm the people.

 

Commodus extends his hand, struggling to give the thumbs up ....

 but  he would much prefer to give the thumbs down. Extending his thumb up, to the pleasure and cheers of the crowd, Commodus turns and leaves, sending a look to Maximus as though to say this is not over, and the Praetorian leave, as well.] As Maximus looks at Quintus, he holds his fist to his heart and slightly bows his head, acknowledging an old friend. Quintus stares back and slowly backs away from Maximus.

[Maximus raises his helmet in victory and the crowds and other gladiators cheer uproariously. Maximus and the other gladiators exit the arena to be returned to the underground cells. They are lowered on a platform as the other gladiators salute the winning barbarians, and in particular, Maximus, with cheers and shouts  "Maximus, Maximus, Maximus."Maximus stands in the midst of all the gladiators who triumphantly fought and beat the Legionnaires. A slightly smaller man, yet appearing larger than all.]

 Dramatic resolution from a hidden source 

The movie CONTACT.

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 THE MATRIX
RESOLUTION BY DECISION OF PROTAGONIST 
 APOLLO 13
RESOLUTION BY DECISION OF
LEADER
 APOLLO 13
PROBLEM SOLVING AS
CONFLICT RESOLUTION  
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DECISIVE MOMENTS IN SCRIPT NARRATIVE
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